01. Learned in Paris
The name comes from the École des Beaux-Arts in Paris, where architects from all over the world train in the 19th century. There they learn to design big: symmetrical, with a clear main axis, a hierarchy of grand rooms and façades drawing on French classicism, Renaissance and Baroque – but with iron, glass and later steel behind the stone.
The style peaks under the Second Empire and the Third Republic. Charles Garnier's opera house in Paris, the Palais Garnier, is built in 1860–1875, and for the 1900 World's Fair the Grand Palais and Charles Girault's Petit Palais rise.
American architects who studied in Paris bring the style home. The 1893 World's Columbian Exposition in Chicago, the "White City", sparks the City Beautiful movement, which wants to make American cities monumental with parks, axes and public palaces. The New York Public Library is completed in 1911 and Grand Central Terminal in 1913.
With modernism the style goes out of fashion after the First World War – but the school in Paris keeps teaching in the same spirit until 1968.
02. How to spot it
- 1.Symmetry and a clear main axis
- 2.Grand staircases, entrance halls and state rooms
- 3.A rusticated ground floor and arched windows
- 4.Rich sculpture, cartouches, garlands and balustrades
- 5.Iron, glass and steel behind the stone façade
03. The giveaway
The staircase. If a broad, stately flight of steps leads up to a symmetrical, sculpture-laden entrance on a building from around 1900, Beaux-Arts is the likely answer.
Read the façade
- A cartouche above the central axis
- A tall mansard roof
- Paired columns
- The arched entrance
04. Architects and builders
- Charles Garnier
- Charles Girault
- Richard Morris Hunt
- McKim
- Mead & White
- Carrère and Hastings
- Daniel Burnham
05. Where to see it
- Palais Garnier, ParisCharles Garnier, 1860–1875
- Grand Palais, Paris1897–1900
- Petit Palais, ParisCharles Girault, for the 1900 World's Fair
- New York Public LibraryCarrère and Hastings, 1911
- Grand Central Terminal, New York1913
06. Often confused with
Neo-Baroque and Neo-Renaissance. The same sources, but Beaux-Arts is the school's style: more strictly planned around axes and symmetry, and conceived at the scale of the city.
Sources
- Wikipedia (en): "Beaux-Arts architecture" (bygger bl.a. på Robin Middleton (red.): The Beaux-Arts and Nineteenth-Century French Architecture, 1982)